Didier Faustino’s Le meilleur des mondes is an installation specifically created for the Cité. It is designed as the distorted reflection of a meeting, a place of gathering, a space for exchange, dialogue and discussion in which power is exercised. This “micro-nation”, with its uncertain lines, questions our debate practices. The strange and fragile proportions of this ensemble, on the verge of collapse, invite viewers to project themselves into it, without being able to stay.
forces régénératrices on Flickr.
19x24” on bristol vellum
oils, pastels, charcoal, conte crayon, colored pencils
Rebecca Baumann. Automated Colour Field, 2011.
100 Flip-clocks, paper
130 x 360 x 9cm
Duration: 24 hrs
Photography: Andrew Curtis
Originally commissioned by the Australian Centre for Contemporary Art for NEW11
Underwater photography by one of my favorite photographers Howard Schatz